I am in love with my pen and the words it writes. I write because I see. I write what I see, so I must love my eyes as well. I once thought of the well of inspiration as a body of water whose dam was never meant to hold it back. Rather, it is the discipline to control the flow lest it flood and be spent. Writers need more than imagination; they need life experience. Without knowing how life flows, and that one cannot merely dangle their toes in the stream, but swim in the current, imagination has no fuel to flourish. I write because I love people, I love history and I love language. The three are inseparable and no successful writing is accomplished without paying dues to all three. As long as I stay in the flow, the pen will stay in my hand.

Wednesday, January 20, 2010



The Eyes of God by Richard Cheney [historic fiction]

Once one has known the perfection and beauty, the light and eternity of immortality, he would like to have gone mad for the memory of it. By comparison, though there are beauties of near perfection in the earth that seem to have existed from before time, there is naught to compare with celestial perfection. One such as Emile Cezanne, a simple college professor of lingusitics and amateur archeologist, should expect to be counted fortunate to have had a glimpse at perfection, but the glimpse is at once a blessing and a curse. To have the brief encounter is to be returned to the ordinary and profane. If the tools used to see such vistas are not meant for ordninary men, then men like Emile ought not to find them. Better to have known only that such tools are possible, and, in the meantime, depend upon the tools of the heart to understand eternity.

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